Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. In this article, I will only discuss full-frame FE-mount lenses, which work on the A7, A7R, A7, and A9-series cameras. With a quiet but fast autofocus system, you can capture images in quick succession without missing a beat. While people don’t typically think of “normal view” lenses, such as a 50mms, as astrophotography lenses, there is certainly opportunity to create unique compositions with this focal length. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Best Overall – Sony FE 24-70mm f/2.8 GM. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. This Sigma lens produces beautifully sharp, gorgeously colored images, thanks to the premium FLD and SLD glass elements. View Prices! However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. Well, this Sony 85mm f/1.8 was the third lens I settled on. It’s a solid 35 from Samyang, which is a reputable third party manufacturer of solid dependaple lenses. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. Specialising in fixed focal length prime lenses, and catering for a variety of lens mounts, Rokinon (Samyang) could prove the ideal choice for your next lens purchase. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. Let’s have a look at all the categories. The opening inside the lens that allows light into the camera, hitting the sensor. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. If your photographical focus is going to be one that would need a sizable aperture (e.g cityscapes, sunsets, etc), it will be worth the investment. Even wide open, the centre is impressively sharp, with image detail retained right up to the edges of the frame. The Sony Planar T* features an optical design from Zeiss Planar. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. If you’ve never shot with a 24-70mm lens before, you’re in for a treat. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. Here’s my Ultimate Guide to the Best Sony FE Fullframe E-mount Prime and Zoom Lenses for Sony a7, a7R, a7S, a7C, a7II, a7RII, a7SII, a7 III, a7R III, a7S III, a7R IV, a9 & a9 II mirrorless cameras and FX6 & FX9 cinema cameras [Please Note: all of these lenses will also work on Sony APS-C E-mount mirrorless cameras including Sony … With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. For more of our top outdoor photography gear recommendations, check out these popular articles: Angelo Zinna is a freelance writer based in Amsterdam, Netherlands. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. I have full frame (Sony A 7III), Crop sensor (Fuji X-T3), and micro 4/3 (Panasonic G-9), all with full complement of lenses . It’s a pricey beast of a lens, but it could be the only lens you ever need. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! This Sony lens has convenient zoom and focusing rings. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. The ultimate in convenience.. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. Build quality is top-notch, as you’d expect from a Zeiss lens. Sony FE 24mm f1.4 G Master Lens. The Canon EF 16-35mm III USM is an incredible ultra wide angle zoom lens with a constant maximum aperture of f/2.8, providing incredible landscape shots regardless of what the weather is like outside. G Master performance in a wide-angle F2.8 16–35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. Sony FE PZ 28-135mm f/4 G OSS. (If there was an f/1.8 35mm, I would’ve got that too!). One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Traditionally, the best lenses for landscape photography are wide-angle lenses that allow for capturing ample scenes in a single frame. Keep reading to find out about the best lenses for landscape photography for Nikon, Canon, Fujifilm, and Sony. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. That’s why I’ve tried to collect top 10 best A6000 lenses (from the “picture quality/price” perspective) that can be useful for a beginning photographer. UPDATED: October 14, 2020 / ORIGINAL: April 24, 2017. 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